Alexander Seltzer ‘s horror short film “The Door” brings One of Life’s Biggest Nightmares to the screen with short film “The Door” at LA’s Holly Shorts.
Synopsis: A year after their daughter’s disappearance, Kara and Felix struggle to move on in their own ways as their marriage falls apart around them. But when a mysterious door appears in her kitchen, Kara becomes obsessed with uncovering what lies behind it at any cost. Even as it threatens to reopen old wounds.
Today’s conversation with Filmmaker Alexander Seltzer from “The Door” has been edited for length and clarity. For the full, un-edited conversation, visit our YouTube channel here.
Joe Winger:
We’re here today with writer / director Alexander Seltzer from The Door, a short film playing at Holly Shorts in Los Angeles this August.
I watched your short, “The Door.” It was tight. It was suspenseful. In my opinion, it’s everything you want a short film to be.
What’s the most important message that you want to share with our audience today about the short film?
Alexander Seltzer:
I like to make movies about things that scare me typically.
So with The Door, I’ve been terrified of becoming a parent; and parenthood in general.
I really wanted to make a movie about that and exploring my fears and where they come from, but in an interesting, entertaining way.
I wanted to ask the question of the audience, of myself, of whether or not: does parenthood transcend morality?
Ultimately, I hope that audiences come away watching the movie asking that question of themselves.
Would they do anything different to what our lead Kara does at the end?
Would they do what she did? Would they potentially do something else? That kind of moral ambiguity, I think, is very interesting. I know where I come down on it. And that’s part of the reason why I think I was afraid of having kids for so long. So yeah, that’s what I hope people get away. That’s one of the messages. I hope people come away with it.
Joe Winger:
I think among so many features and shorts, this one does ask a whole lot of questions.
And in my opinion like what good storytelling does is it doesn’t give us all the answers back. It really leaves us questioning ourselves and our world afterwards. So I think you’ve accomplished that. Congrats.
Alexander Seltzer:
Thank you. Especially in shorts too. In features you have more time to play.
But I agree with you.
Joe Winger:
I’m not sure what your schedule is like, how many days, I’d love to hear that.
What was the biggest challenge with your production, and what lesson did you learn from solving that challenge?
Alexander Seltzer:
We had three days but they were jam packed days.
Biggest challenge, I think one of the biggest challenges, I’m sure everyone says budget, my producer Mark [Delottinville] did a great job with what we had.
I never really felt the pinch too much.
Here’s a spoiler alert.
There’s a sequence towards the end of the movie where you find out what’s behind the door and executing the that was probably the most challenging aspect and I knew that going in.
I shot some tests around my house but specifically all the stuff later on in the film like once we’re through the door and into the mirror world. That I knew how to shoot.
We had a very simple gag for that where we just flipped everything in post [production].
Within that, I had to coordinate with how some other heads of department like costumes, for example. Felix; we had to make two different outfits for him, the same shirt, but one with the buttons on the left and one with buttons on the right.
So when you flip the image. The buttons stayed on the correct side, given that he was coming from the real world, things that no one will notice.
But I was just like, I need this to match and be logical.
But the transition from the real world into the mirror world, getting through the door, that was a bit of a challenge that was the most challenging. Because I don’t have a very big VFX background.
Thankfully I had a great team, my DOP, Justin Black. My VFX supervisor, Nigel [McGinn], we worked together, we did some tests beforehand, and then on the day my VFX supervisor Nigel was there, so we shot out the wall and the door
That’s all built, it wasn’t real part of the house, so we built that.
We had a little green box essentially on the other side of the door that when she opens it, we’re looking at a green box, and then we had to flip around, remove the wall and shoot the whole kitchen area as a plate, but we got to make sure the parallax was correct.
We’d measure everything with a tape measure, make sure our angles were correct. So they would all comp together hopefully seamlessly in the end.
Then figuring out how to match her position.
So when she does open the door from the other side. Because we couldn’t build the kitchen twice, we had to fake that as well and that was challenging, but I learned a lot about the process of at least the VFX and, working on set with someone like that was a great delight.
Alexander Seltzer Brings One of Life’s Biggest Nightmares to the screen with short film “The Door” at LA’s Holly Shorts
Joe Winger:
Something you brought up in two different ways.
One, I’m a big fan of movies that are simple stories, but incredibly well told.
You mentioned a second ago, your characters and how the wardrobe informed their behavior. Let’s actually talk with the cast.
Alexander Seltzer:
I was very lucky. We got to work with Tanaya Beatty, Raymond Ablack, and Mercedez Gutierrez.
Working with Tanaya and Raymond. They’re pros, I’m just lucky they said yes, and they liked the script.
We didn’t have any time for rehearsals. We did one read through over zoom.
We flew her to Toronto where we shot the film and Raymond, thankfully, there was a hiatus filming on his Netflix show. Everything worked out perfectly.
They got the script, they got the tone I was going for pretty much off the bat.
I think one of the most memorable scenes I had. For me, the whole film revolves around the kitchen scene and the argument that kind of spills over into pathos understanding where the two characters can finally talk to each other.
We did that. I think we might have. We did some coverage because I knew I wanted to keep it interesting. So I think we spent a good chunk of time on that, but there were minimal notes in terms of me stepping in as a director.
It was just like, let’s have fun. Let’s explore different variations.
I’m also an editor and I came up as an editor and I edited this film. So I knew, the godsend to an editor is variation rather than just doing the same performance 10 times and expecting it to magically work in the edit.
Their stars are just going to keep rising and hopefully one day they remember working with me.
There’s a scene at the beginning where Tanaya’s character, so Kara, she’s throwing out her kid’s belongings.
We did that all in one take.
It was pouring rain at the time, which was perfect because that’s what I wanted.
We’re just shooting, shooting, shooting. I think we had to do it seven times in the end because I wanted, when she dumps this box of children’s toys, I wanted the bear that has the kid’s name written on it in marker to fall exactly right so that when she slams the lid it’s just the little leg of the teddy bear sticking out with the kid’s name written on it in sharpie as we push in and land on it.
There’s no way to do that without VFX and we didn’t have the budget for that.
So we just had to keep doing it until it landed exactly how I wanted it to. And she was a trooper. She was like, yeah, she knew what I was going for.
Joe Winger:
Again, it goes down to the details of your execution.
What was the process like pulling together your production team and what were you looking for that you found there?
Alexander Seltzer:
My DP [Justin Black] was one of the first people. Obviously my producer, Mark [Delottinville] was the first person that came on board and he’s the one who actually made this thing happen. It wouldn’t exist without him.
Then my other producer, Sam Rudykoff incredible director in his own right.
For my DP, I went to my previous collaborator, Justin Black. I think he’s amazing. He’s shot a bunch. He’s shot features. He’s shot Apple TV series. He’s usually too busy for me these days, but I love him for that reason.
But no, he’s got a great combination that I look for in DP specifically for a project like this, where I knew there would be some VFX and some visual storytelling challenges and the quirks that I wanted to figure out because he has that great combination of a technician’s brain, the science of cinematography, but also the artistic side as well handled and in one beautiful human package.
Thankfully Mark, my producer, actually brought and introduced me to a bunch of the other heads of department who I hadn’t worked with before.
Like Logan [Graham Greene] and Misty [Fox] for hair and makeup. And Jennifer [Choy] for costumes.
There were just a lot of really talented folks that I hadn’t worked with yet, based off of our quick first meetings. These are my people. They get the vision and it all worked out perfectly.
People like Misty, my hair and makeup, my costume designer, my DP, a lot of these people were coming off of things like the Star Trek series that was shooting in Toronto at the time during the hiatus. So timing is also a big thing. I got very lucky to be able to work with people like who knew their stuff.
Joe Winger:
As a filmmaker, you’ve achieved something that everybody wants to do. Very few have done, which is you won Slamdance.
Can you talk about what that experience was like and how that helped you in your journey as a filmmaker?
Alexander Seltzer:
It was surreal. I’ve applied many times before.
So when you find out you’re a finalist, I go in expecting nothing and just expecting to have a good time, maybe meet a few nice folks.
Winning it was great. Going to the festival was incredible. It was my first time going to Park City. There was a cash prize associated with winning. I put that straight into another film.
It’s definitely helped me in terms of future projects.
Joe Winger:
You’re playing at Holly Shorts coming up in August.
Whether it’s you as a filmmaker, whether it’s The Door as the short film, what’s next for you?
Alexander Seltzer:
We have Holly Shorts. We’re premiering in Miami at Popcorn Frights. There’s a couple of other festivals I can’t talk about yet, but exciting times ahead.
I’m currently working on the feature script for The Door. Hopefully I get to make that in the next couple of years. I have a couple of other features that are in various stages. I have some TV stuff that is at some places right now.
Joe Winger:
Usually people come to this website for food, wine, cocktails, even healthier options.
Whether it’s dinner and a movie for date night, or if you like to cook, can you share with us a dish you love or food pairing?
Alexander Seltzer:
Yeah, I love to cook. I cook a lot, but this is probably gonna be so basic, but sometimes basic is good for a reason.
Something I do with my girlfriend a lot when we go away to a cabin in the woods or a new place.
A really good quality steak, some Maldon salt on there, some pepper, some butter grill that up nice. And then some really like fresh tomatoes. Chopped up roughly, like wedges, thick, olive oil, balsamic, lots of garlic, a little tomato salad. Obviously you need Dijon mustard, that’s a non negotiable. A juicy red wine.
And I’m a happy camper. That’s my happy place.
Joe Winger:
A good steak, a good wine pairing. Yes, agreed.
Whether it’s a website or social media, what’s the best way for our audience to follow you for now and in the future?
Alexander Seltzer:
My website is just AlexanderSeltzer.com
But the best place to track me is Instagram: Alex_Seltzer. And my producer’s production company is BigPigCo.
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Knox & Dobson, a new collection of superior ready-to-drink cocktails, proudly announces that their Improved Whiskey Cocktail has been awarded the prestigious Double Gold Medal and their Old Fashioned Cocktail has won a Gold Medal in the Ready-to-Drink category at the 2024 San Francisco World Spirits Competition (SFWSC).
Founded in 2000, the San Francisco World Spirits Competition is the oldest and largest competition of its kind. Receiving a high-tier medal at SFWSC is a testament to exceptional quality and craftsmanship.
This year’s competition featured nearly 5,000 entries, judged by experienced and knowledgeable spirits critics through a blind tasting process, ensuring impartiality and integrity.
Knox & Dobson’s new collection of premium ready-to-drink bottled cocktails is designed to be shared with friends, making it easy to simply Open, Pour, and Enjoy!
The collection was meticulously curated with an uncompromising commitment to quality, craftsmanship, and taste by Knox & Dobson Founder & President Rob Levy (Former Owner, The Raymond 1886) and Creative Director Peter Lloyd Jones (The Raymond 1886, Everson Royce Bar, Proof Media Mix).
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Each cocktail features the highest quality ingredients such as hand-selected barrel-aged whiskey, distilled gin, natural cane sugar, and authentic Angostura Bitters.
“Our mission was to create a collection of cocktails that were equal in taste and quality to those freshly crafted by a skilled bartender. Peter Lloyd Jones was the best choice, and I can’t imagine working with anyone better,”
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“Pete’s experience at 1886 Bar at The Raymond and Everson Royce Bar, combined with his passion and creativity, make him the perfect partner at Knox & Dobson.”
Levy’s upbringing in Skokie, Illinois, at Knox Avenue and Dobson Street, is where he spent most of his adolescence in the ‘60s and ‘70s, hanging out “on the corner” with neighborhood kids who remain lifelong friends. Knox & Dobson is as much an elevated on-the-go handcrafted beverage experience as it is a distillation of hometown pride and a love of bringing people together.
The Knox & Dobson Improved Whiskey Cocktail (35.42% ABV), which was awarded this year’s Double Gold Medal, is made with straight aged rye whiskey, Maraska Maraschino Liqueur, and Angostura bitters. This cocktail features a spiced flavor profile combined with American oak, citrus, and bright and deep cherry notes, making it a whiskey cocktail meant to be sipped and savored.
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A Month of Flavor: Celebrate Momed Atwater Village ’s 10th Anniversary with Immigrant Chef Dinner Series
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This special event, kicking off on September 9th, will feature four extraordinary Monday night dinners, each showcasing the talents of renowned Los Angeles chefs with rich immigrant backgrounds.
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Each evening will highlight the diverse cultural and culinary heritages of the guest chefs, creating a vibrant tapestry of flavors that truly celebrates the richness of Los Angeles’ immigrant communities.
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Monday, September 9th
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To keep the festivities going, Momed will offer Happy Hour “all night” at the bar from Sunday through Thursday all throughout September.
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Momed’s 10th Anniversary “Immigrant Chef Series” promises to be a flavorful and festive celebration of culture, community, and culinary artistry.
Don’t miss this special event and mark your calendars and make your reservation today!
For more information on Momed’s 10th Anniversary “Immigrant Chef Series” coming up on Monday, September 9th, 2024, Monday, September 16th, 2024, Monday, September 23rd, 2024, and Monday, September 30th, 2024, from 5:00 pm to 9:30 pm.
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Mon Ami Chef explaining tonight’s dishes
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“I’ve always had a passion for building new concepts and brands across various industries.
We currently have a few restaurants in Spain and other countries
but Santa Monica is home. ”
Nas Negahban
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The First Class Event Series includes 2 items from Mon Ami’s drink menu (specialty cocktails or wine)… and dishes from their food menu:
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Diversity.
Filling.
But you leave feeling pleasantly fulfilled. Not heavy.
For me, that’s incredibly important.
Mon Ami’s First Class Series is a great idea for date night, for a casual business dinner, for a birthday or celebration.
Most importantly, it creates memories. It’s been a few days since my dinner, and I’m still remembering it and smiling.
Mon Ami’s Blackberry Mojito
Mon Ami’s Blackberry Mojito
Mon Ami’s Catelonia Margarita
Mon Ami’s Catelonia Margarita.
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Mon Ami; Amuse Bouche (Iberian Jamon with Burrata, Calabria Chile on a crustini)
Amuse Bouche (Iberian Jamon with Burrata, Calabria Chile on a crustini)
Light with a good crunch and subtle flavor.
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Mon Ami; Tapas Trio: Truffle mushroom, Chicken Mousse with a Pickled Onion, Spicy Tomatoes and Pepper
1st Course
Tapas Trio: Truffle mushroom, Chicken Mousse with a Pickled Onion, Spicy Tomatoes and Pepper
This is the first feel of diversity. Flavor, mouthfeel; each of the three delivered a different experience. From subtle, to bold, to a kick of spice.
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Mon Ami; Marinated Skirt Steak with a side of Spanish Rice and Roasted Zucchini
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Reservation to the Barcelona First Class Series Event: https://resy.com/cities/santa-monica-ca/venues/mon-ami?date=2024-09-19&seats=2&query=Mon%20ami&activeView=list
You can also email events@monamism.com if you have any questions or want to book over the phone.)
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Legendary Pittsburgh Restauranteur Joseph Costanzo Jr. Reveals all in his Tasty Memoir with “On The Rocks”
On the Rocks chronicles the real-life journey of restaurateur Joseph Costanzo Jr., from his rise to success in the 1990s as a owner of the highly acclaimed Primadonna Restaurant, radio host, columnist, and aspiring politician to his sharp fall in the early 2000s, ending in an investigation and a stint in federal prison.
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On the Rocks: The Primadonna Story, co-written by Maria C. Palmer and Ruthie Robbins is available now on Amazon, BarnesandNoble.com, Walmart, Target. Signed copies at the Heinz History Center. Also follow them on Facebook and Instagram.
Today, we’re having a conversation with all three: Joseph Costanzo Jr., co-writers Maria C. Palmer and Ruthie Robbins.
The conversation has been edited for clarity and length. Find the un-edited conversation on our FlavRReport YouTube channel.
Something that I find amazing, this book has been 17 years in the process. Is that an accurate piece of trivia?
Maria C. Palmer: 100%. Yes, that is a very accurate piece of trivia.
So way back 17 years ago, what sparked this for you?
Maria C. Palmer: A couple of things. I think that because the restaurant was such a significant part of our lives, and it was always the highlight of my father’s life. Once it went away, the spark kind of went away, too. And I wanted to bring that back in my Dad. So I started asking him lots of questions about his life. Specifically for a family history. At the time, being a writer myself, in addition to grant writing, I’m also a writer and I can really spot a good story that has commercial value.
On The Rocks co-author Maria C. Palmer
There were just so many wonderful elements to his story. So I started recording some vignettes of different things that had happened throughout his life. But not really knowing and or intending at the time that it would be a book.
But as we went on, I saw that the potential was there and I was lucky enough to still be in contact with my former teacher, Ruthie Dines Robbins and brought the project to her and asked her if she would be willing to work on it with me.
It was really from there that we decided it would become a book and that we would work together diligently for probably 10 years together.
Ruthie Robbins: I’m only 7 years.
Joseph Costanzo Jr.: They had it in Maria’s voice originally. Ruthie was in a book club and they said, “Put it in Joe’s voice and they had to go back and change the whole book.” I watched 11, 000 emails back and forth.
Ruthie Robbins: We were not primarily emailing. We were mostly talking and texting, and that year was the pandemic year. So I was off teaching that winter and the following fall.
Before we get into the restaurant itself, what was the writing process like?
Maria C. Palmer: I can speak to the family history and just the overall process of it. It was really challenging. Because whenever you’re writing a memoir or a biography, You’re not writing a Wikipedia page. So it’s not from the time somebody is born until the time that they pass away.
You’re picking the most poignant time in their lives. Not only cherry picking all the good things that happened during that time period, but you’re picking some of the challenges too, because that’s what makes a good story.
It was challenging to figure out what the storyline was going to be and sometimes to tell those hard parts of the story.
What was even more challenging, was just the nebulous nature of the publishing industry. I just thought you wrote a book, it’s on Amazon and then people buy it. And that could not be further from the truth. Query letters. Polished one page, a 90,000 word manuscript. A whole book proposal. An entire business plan of why we’re writing the book and why it’s going to sell into the market. Requiring that much to not even get a thanks,, but just no response whatsoever.
Ruthie Robbins: Totally agree. The writing was not arduous part because Maria and I get along so well.. We’re real partners, but this publishing thing. We really didn’t understand the process, so it is difficult, and especially in this genre, [competing with] the celebrities and athletes and reality stars who wrote memoirs. They want a name on the shelf that someone will pick up in a bookstore.
Mr. Costanzo, one of my favorite parts of this book is the wine mentions. Tell us your “Pin on the wall” story.
Joseph Costanzo Jr.: Yeah we’re in a tough neighborhood, but we brought in a lot of people outside the area and upscale people, limos, what have you.
I had a bus boy and he was a really good worker. He became a server and he came to me after he got the drink order and said, ”what’s a pin on the wall?”
I never heard of a “Pin on the Wall”. So we went to the bartender. He didn’t know either. We looked it up, nothing.
So I went out there to ask the customers, so we could make it for them – and one of the most mortal sins at the Primadonna was making Joe Costanzo look bad – I said, excuse me what’s in a Pin on a Wall and they all started laughing. The guy said, “Pinot Noir.”
They’re laughing at me. That’s bad. So I went in and I really did a job on this kid. My wife grabbed me by my tie and pushed me downstairs to my office.
I was in this kid’s face because he really wasn’t real serious about the situation. If you’re going to be the best at what you’re doing, you can’t be messing up like that.
He ended up being great. Chris, who was the server, became a maitre’d and a great employee of mine. He was very loyal. I really went overboard with him and I did feel bad about it.
Reviews are incredibly important. The amount of work and effort you put in to get your Four Forks Review. Tell us a little bit about what happened.
Joseph Costanzo Jr.: Because the area was an old steel town which had a reputation of a lot of fighting, a lot of drinking, a lot of drugs, nobody would come into that area to eat.
I knew I needed credibility, and the only way I would get credibility was through the Pittsburgh Post, because the dining critic, Mike Kalina, who was a syndicated columnist, had tremendous credibility. KDKA TV, Post Gazette, New York Daily News.
For two and a half years, I kept reaching out to him. This is in a time before cell phones and emails.
But I knew if he comes down and gives us a good review, people from outside the area, from the upscale areas of the city are going to come in. That’s what happened.
But he did say to me, “You deserve four, but I’ll only give you three because you’ll never handle the business.”
That Friday night, June 3rd 1988, he was 100 percent right. People were lined up at the door. I was used to doing 10-15 dinners a night. We did over 200 dinners that night and it was a total joke. People waited two and a half hours. When food came out of the kitchen, people actually applauded. People were begging me to get him a bottle of vodka because they couldn’t get a drink at the bar.
We were short of service. We were short of bartenders. I made it all work in the next couple of weeks and I hired people.
I don’t want to ruin the upcoming movie or TV series, but when you trimmed it down, how much heartbreak was there in cutting out so many stories?
Joseph Costanzo Jr.: It was very tough. We had a book signing in August. I kept telling people they were in the book, and they were in the draft I read. But there were final touches that I didn’t see and we lost a lot of names and alot of stories. So I really felt bad. I found the actual early draft and sent copies to those people. This should be in a book, but it will be in the movie, I guarantee you.
Ruthie Robbins: It was so hard. We did a lot of fact checking when we wrote, because memories are so unreliable. We talked to people who were in the original book [draft] and they expected to be more. And on top of that, you try to end the chapter on a cliffhanger. When you take out a story that changes the number of pages in the chapter, it changes the pace of the book. That was a terrible editing challenge.
Maria, what was that like for you as the author and the daughter?
Maria C. Palmer: Originally the book was written partially in my voice and partially in my Dad’s voice. It started chronologically for me in my twenties and [had] flashbacks because the story starts in 1986 and I was very young at that time. It was confusing and it didn’t work. Everything that I wrote and all that I put my heart and soul into was all cut from the book. So now I have another book project that I’m working on.
But I will echo what my father and Ruthie said. It was hard because everybody did have a significant piece to the Primadonna story.
Mr. Costanza, it would be an easy assumption to say you’ve lived a big life. Are there one or two things you would have done differently in the stories of the book now looking back on them?
Joseph Costanzo Jr.: Sure. When you are hitting all home runs, you tend to believe that everything that you do is gonna be a home run. I had the most popular restaurant in Western Pennsylvania. Maybe I’m going to do something else, maybe I’ll go into politics.
I spent about $300,000 of my own money to put my name out there. Most people loved Joe Costanzo, but now when you get into politics it’s not that way. So that was probably my biggest regret.
My wife begged me not to do it. She said, Joe, we have a miracle here and you’re going to try for another miracle. And she was right. You may or may not like Joe Costanzo when you read the book, but you will love Donna Costanzo.
Joseph Costanzo Jr.: And that’s bottom line. Everybody says the same thing. Joe, it was great. What he did is impossible, but his wife was a saint for putting up with all this stuff that a restaurateur has to go through.
The theme of hospitality comes out in the book, but you so clearly love people. What has it been like getting all these people’s responses to this story?
Joseph Costanzo Jr.: This has been unbelievable for me. People are very happy that this all happened this way. I treated people really well and people wanted to reciprocate. So exhilarating to me. My life has been very boring, but now it’s really gotten to the point where it’s been great thanks to Maria and Ruthie.
Ruthie Robbins: It’s heartwarming. Especially from former students, the outpouring has brought me to tears sometimes. It’s reconnecting with people over the book. That has really been so wonderful
Maria C. Palmer: This has been such a 17 year journey. I always believed that there was something special about this story. Seeing that exactly what I felt in my gut for 17 years is actually playing out in real life.
Whenever we’re in Pittsburgh, it is almost surreal because people are talking about “On The Rocks and it’s really cool and crazy to know that something that you created means so much for people.
Joseph Costanzo Jr.: The big thing which is amazing to me is that the book came out August 8th, 2023. For two weeks, the book was the number one bestselling ebook on Amazon for culinary memoirs. Ahead of Anthony Bourdain’s, Kitchen Confidential and Stanley Tucci’s Taste “On the Rocks” for over two weeks was the number one overall best-selling ebook. Now that’s hard to believe because this was just a Western Pennsylvania thing and Bourdain and Tucci are worldwide known authors and entertainers.
Tell us where we can find the book and all the ways we can keep in touch with this story.
Maria C. Palmer: So the book is really wherever books are sold. We’re on Amazon, BarnesandNoble.com, Walmart, Target. We’re also at most bookstores. Also on Facebook and Instagram.
Ruthie Robbins: There’s also signed copies at the Heinz History Center.
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Bring Great Flavors to your Los Angeles Thanksgiving with Wine Ideas from Winemaker Brian Cheeseborough
Bring Great Flavors to your Los Angeles Thanksgiving with Wine Ideas from Winemaker Brian Cheeseborough.
Thanksgiving is coming up fast, and you just have a few days left, do not panic just yet.
Most people are not “hosting” a Thanksgiving; instead, they are guests. Whether its family, friends, or you are the plus one, it is always better to make a good impression – and what better way than with an exceptional wine or two?
Wine can be inexpensive; our winemaker suggested a few wines between $15-$45.
Brian Cheesborough has more than 20 vintages of wine experience and made 90+ point wines in 6 different regions worldwide (California, France, New Zealand, Argentina, and more). He is an expert at pairing flavors and (more importantly) how to fix sour or off flavors – think dry turkey. (yikes!)
Winemaker Brian Cheeseborough shares Delicious Wine Pairings for Your Thanksgiving Feast
Take it away, Brian!
Thanks for having me. I’m excited to share these ideas because there are two goals: if the food is incredible, we want a wine that matches it and makes it even better (think like a dancing partner), and secondly, if the food is not great, we want a way to elevate the experience and fix the mistake.
Wine can do that! Most of these wines are from vineyards I have worked with or fellow Fresno State alums, some of whom I sat in a lecture with about all things wine. Can’t find the exact bottle? There are numerous producers for these wines under $50 and some below $20 – follow the varietals.
So, let us get started.
Alexander Valley Vineyards – Gewürz, 2021 Mendocino County
Alexander Valley Vineyards – Gewürz, 2021 Mendocino County
This Gewürz can solve many problems. It is a great wine to start the night; It’s also great when you’re eating something dry or bland. Yes, it is on the sweeter side. The aromatics are floral, with enticing notes of apple, grapefruit, and citrus; the mouth is silky and rich. This will pair well with any course. I like it with turkey best!
Buy it here: AVV 2021 Gewürz – Organically Grown
Willamette Valley Vineyards 2021 Estate Chardonnay
Willamette Valley Vineyards 2021 Estate Chardonnay
Another great option to start the party. The nose is a fresh bouquet of apricot, lemon, lime, and honey. The mouth is rich and supple with flavors of golden apple, caramel, and vanilla, with a nice round, refreshing finish. You can easily pair this with rich seafood dishes like shrimp alfredo and crab-stuffed lobster tail. Also, creamy potatoes or spiced pumpkins. (If you end up with pumpkin or squash on your plate and try a glass of this, you will thank me later.)
Buy it here: Willamette Valley Vineyards – Estate Chardonnay
Pine Ridge Vineyards 2021 Chenin Blanc + Viognier White Blend
Pine Ridge Vineyards 2021 Chenin Blanc + Viognier White Blend
One more light suggestion to start off your Los Angeles Thanksgiving!
This is crisp, bright, and full of life. The nose is a bouquet of honeysuckle, and orange blossoms, with a twist of ginger spice. The mouth is full-bodied with refreshing acidity. Flavors of tangerine, lime, and green apple. It’ll pair great with a light salad, goat cheese, and olives.
Buy it here: Chenin Blanc + Viognier White Blend – Pine Ridge Vineyards
Now, let us go to the Reds!
Abacela Tempranillo Fiesta 2019
It has a gorgeous fruit-driven nose with aromas of red fruit, cherry, and plum. The mouth is sleek and silky, medium body with flavors of black currant and blueberry, with lush and velvety tannins. It would pair well with turkey, venison with traditional gravy, or cranberry.
Abacela Tempranillo Fiesta 2019
Buy it here: Abacela Tempranillo Fiesta
Dutton-Goldfield’s 2020 Mendocino Hills Pinot Noir
Dutton-Goldfield’s 2020 Mendocino Hills Pinot Noir
The nose starts telling you this is something extra special; classic rich blackberry, pomegranate, and a touch of vanilla to round out the aromas. The mouth is super juicy and decadent, full of bright red cherry and cola with a baking spice finish. You want this with your main entree – turkey, ham, and stuffing. The people at your party drinking this will be glancing at each other, smiling between bites – they will know why!
Buy it here: Mendocino Hills Pinot Noir
Porter Creek, Estate Pinot Noir, Russian River – 2019
Porter Creek, Estate Pinot Noir, Russian River – 2019
On the nose, red fruit notes with cherry and plum. On the mouth, medium body with moderate oak, black currant, and blueberry, with delicate tannins. This pairs well with lean meat.
Buy it here: Porter Creek, Estate Pinot Noir, Russian River
The critical thing to remember is that regardless of your budget, you can find a great flavor to pair with what you are eating. Also, the wine can “save” the day, just in case it ends up a little (or a lot) dry or bland. You are not the chef du jour for your Los Angeles Thanksgiving, but you can still contribute to the sharing.
Brian Cheeseborough is currently the Director of Winemaking at FermForge in West Texas.
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Big Hollywood Shake-Up! American Film Market 2024 Moves To Las Vegas’ Palms Casino Resort
American Film Market 2024 Relocating To Las Vegas’ Palms Casino Resort
The Independent Film & Television Alliance® (IFTA®) and its Board of Directors announce that the American Film Market (AFM®), its industry flagship event, will relocate to Palms Casino Resort in Las Vegas for its 45th edition.
New Chapter for American Film Market in 2024
Scheduled for November 5 to 10, 2024, this move marks a new chapter for AFM.
Held in Los Angeles and Santa Monica for over four decades, AFM is a cornerstone event for the independent entertainment industry.
Companies Including Arclight Films, Blue Fox Entertainment, Cornerstone, Film Mode Entertainment, FilmNation Entertainment, HanWay Films, Lakeshore Entertainment, Millennium Media,
Myriad Pictures, NEON, Protagonist Pictures, The Exchange, WME Independent & XYZ Films
Already Committed as Exhibitors at the Palms for AFM24
American Film Market 2024 multi-City Search
The decision to move American Film Market to Las Vegas comes after a multi-city search and careful consideration of the needs of AFM’s Exhibiting Sales Companies and Buyers and reflects IFTA’s dedication to creating the optimal environment where the global film and television industry can converge, collaborate, and conduct business seamlessly.
“After extensive research, discussions with the Board and invaluable feedback from stakeholders, this move underscores our determination to evolving AFM to meet today’s industry needs,”
Clay Epstein
IFTA Chairperson and President of Film Mode Entertainment.
“The strength of the AFM lies in its ability to create community and present a sophisticated platform for all our participants’ activities in one convenient location. The Palms enables us to do all of that and beyond.”
Palms Casino Resort offers a wealth of modern facilities and conveniences, all in a single location for an enhanced market experience. Highlights include newly renovated rooms and suites for Exhibitor office space and guest rooms, the Brenden Theatres’ 14 screen state-of-the-art multiplex, and more than 170,000 square feet of dedicated conference, meeting, and event space.
Las Vegas presents easy travel options, including domestic and international flights from over 160 locations, and its close proximity to Los Angeles, with over 35 daily flights, expands the options and allows AFM participants easy stopovers. Furthermore, Las Vegas offers a wealth of dining, sleeping, entertaining, and shopping opportunities, providing added value for AFM participants.
Epstein further added, “This move to Las Vegas is generating support and enthusiasm from colleagues around the world and we are excited to welcome everyone to AFM 2024 in November.”
Major production, finance, sales and distribution companies, including Arclight Films, Blue Fox Entertainment, Blacktop International, Cinema Management Group, Cornerstone, The Exchange, Film Mode Entertainment, FilmNation Entertainment, Film Seekers, HanWay Films, A Higher Standard, Lakeshore Entertainment, Millennium Media, Myriad Pictures, NEON, Protagonist Pictures, The Asylum, The Solution Entertainment Group, Vision Films, WME Independent and XYZ Films have already committed to participating in AFM24 in the new Las Vegas Palms locale, underscoring the industry’s enthusiasm for this monumental move and the importance of AFM to their businesses.
Jean Prewitt, IFTA President & CEO commented: “AFM was created by the Independents and remains the Independents’ market. The industry has called for a fresh look at how the market can better serve a rapidly changing business. The Board has made a monumental decision that allows us to better serve these needs. We look forward to introducing everyone to the new AFM venue and its offerings.”
“We’re delighted to extend a warm welcome to the American Film Market,” said Cynthia Kiser Murphey, General Manager of Palms Casino Resort. “Our team members are committed to providing the Palms signature and personalized hospitality to each and every guest. The AFM’s needs and our offerings make for a perfect match and we look forward to hosting the AFM participants this November.”
As AFM prepares to make its debut in Las Vegas this Fall, further details will be unveiled in the coming weeks and months.
About the American Film Market® (AFM®)
The AFM is where the global film and television business comes to life every November. The only independently produced international sales market, hundreds of finance, production, sales and distribution companies and thousands of professionals from every segment of the industry, convene at AFM for six days of discovery, development, deal making, networking, marketplace discussions and world-class conferences. The AFM is produced by the Independent Film & Television Alliance® (IFTA®) and serves as the annual fundraiser for the association.
About the Independent Film & Television Alliance® (IFTA®)
IFTA is the global trade association for independent film and television production, finance, distribution, and sales companies. The organization represents the independent sector before governments and international bodies and provides significant entertainment industry services to independent companies around the world.About Palms Casino Resort
Palms Casino Resort is making history as the first resort in Las Vegas fully owned and operated by a Native American Tribe. Palms Casino Resort features two distinct towers with 766 hotel rooms and suites, a diverse mix of bars, restaurants, live entertainment venues, and immersive lifestyle experiences across a 95,000-square-foot reimagined casino. Offering free valet and self-parking, the resort also includes over 190,000 square feet of meeting, convention, and event space; the Pearl, a 2,500-seat theater; an expansive pool, The Spa & Salon at Palms; a wedding chapel; the Brenden Theatre 14-screen cinema and nearly 600 units at Palms Place condominiums.
Palms is located just west of the center of the Las Vegas Strip off I-15 on Flamingo Road. Palms Casino Resort is owned by The San Manuel Gaming and Hospitality Authority (“SMGHA”) an affiliate of the San Manuel Band of Mission Indians. For more information visit http://www.palms.com/ or the Palms Press Room. Follow Palms on social media Facebook Twitter Instagram.
